I'll Be Happy When I'm Dead

New German cinema:

319. Rainer Werner Fassbinder’s Ali: Fear Eats the Soul: A fantastic reimagining of Douglas Sirk’s All That Heaven Allows with the discrimination changed from social discrimination to racism. I laughed way too much at Fassbinder’s cameo.

320. Volker Schlondorff’s The Tin Drum: I found the kid to be a bit of a shit, but holy hard body, his mother looked amazing naked. Same with the other lady.

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